The collaboration with Howe evolves ‘in an ecstasy of attentiveness’ through the symbiosis of all the elements of nature that are dependent on each other. ‘Hypnosis’ reflects the beauty and complexity of our environment, exploring the patterns and structures within its fragile landscape.
“The ‘Hypnosis’ collection is a hypnotic visualisation of nature’s tapestry, the symbiotic cycles of our biosphere that interweave the air, land, and oceans. It also reflects the ongoing dissection of the rhythms of life and resonates with the fragility within these interwoven worlds,” said Iris van Herpen.
The Iris Van Herpen Fall 2019 Haute Couture collection consists of 19 silhouettes that flow deceptively in transparencies. Multilayered around the body, they revive the ancient silk moiré weaving technique that links to the illusory nature of human perception. The ‘Epicycle’ looks are constructed by multi-layering luminous organza spheres, which challenge the relationship between surface and substance through illusory patterns that wrap into each other infinitely. The ‘Suminagashi’ garments which reflect the venerable art of Japanese floating ink on water, are lasercut into liquid lines of dyed silk, heat bonded onto transparent tulle to seemingly and seamlessly flow over the skin. The ‘Hypnosis’ technique, developed in collaboration with Professor Phillip Beesley involves ten of thousands of plottercut mini ripples that continuously dissect the dress through each movement of the body, revealing skin in between the whimsical spheroid patterns. The printed duchesse-satin is plottercut into thousands of 0.8 mm exquisite waves that each are interlinked, designed to move faster than the eye can follow.
Get an exquisite glimpse at the creative processes behind the ‘Hypnosis’ collection and see the collection transform over six months, from inside our Amsterdam atelier and the studios of collaborators Anthony Howe and Philip Beesley, followed by the finishing preparations ahead of the Couture show in Paris.