Constructions and textures had the in-depth minutiae and polished breeziness emerged from tailored separates cut from parachute silk, where trouser hems were pulled closer to the ankle with a discreet pleat and stitch.

A substantial coat in velvet that was produced on a machine dating back from the 1950s — not that one needed to know that to appreciate its lushness — was juxtaposed with silk shantung pajama sets and a long quilted jacket. Double-silk slipdresses, some with whisper-thin lace running along the neckline, had satisfying heft.

Accessories did not disappoint, with sandals that felt barely there but had just enough padding in the bed to make them a comfortably chic option, or a cohort of pouches in buttery napa leather. There also were more high-heeled shoes for women, a further expansion of the brand’s extensive footwear offering.

Rounding out a collection that reiterated The Row’s position as a brand fueled by superlative crafts was a bag made of woven leather hand-tooled to achieve a raffia-like look, among the highlights of the room dedicated to its expansive purse offering.